A Personal Reflection on A Very Bad Thing
Have you ever picked up a book and instantly felt that spark of intrigue? That was my experience when I first saw A Very Bad Thing by J.T. Ellison, as soon as I read the striking premise featuring the larger-than-life author Columbia Jones. With a name like that, how could I resist diving into a world where fame, family secrets, and the latent threat of danger intertwine?
Overview and Key Themes
At the heart of A Very Bad Thing lies Columbia Jones, a bestselling author on the cusp of a film adaptation of her work. Her daughter, Darian, serves as her steadfast publicist and protective wingwoman. But when Columbia collapses during a book tour and is later discovered dead under suspicious circumstances, Darian’s world is torn apart. The narrative unravels what it means to truly know someone, highlighting themes of legacy, betrayal, and the often murky waters of familial loyalty.
While the initial chapters captivated me with their glitz and glam, I found myself grappling with a sudden tonal shift after Columbia’s shocking demise, which occurs surprisingly early in the book. As thrilling as it was to witness Columbia’s persona, the story risks losing its vibrancy with her departure. The ensuing investigation countless plot threads seemed at times disjointed, as I tapped my foot waiting to uncover the real mystery behind Columbia’s life and untimely death.
Writing Style and Pacing
Ellison’s writing is undoubtedly polished, with a knack for crafting engaging, multidimensional characters. However, the pacing felt questionable, especially given the nearly 500-page length. While intriguing elements pepper the story, I often felt lost in a sea of family drama and conversations about Columbia’s will, leading to a lack of emotional connection with subsequent characters.
As for the narrative techniques, I found the “book within a book” device a bit underwhelming. It had the potential to add layers to Columbia’s character and motivations. Still, it sometimes detracted from the overall tension of the murder mystery. Additionally, I felt the twists were foreshadowed too clearly, leaving little room for genuine surprise.
One of my favorite moments was early on—before the tension unraveled—where I really felt Ellison’s skill in weaving a microcosm of fame, vulnerability, and the careful facades people maintain. Those moments resonated deeply, making Columbia feel real, almost relatable, despite her celebrity status.
Conclusion
Ultimately, A Very Bad Thing is a mixed bag. It’s a compelling commentary on fame and familial ties, but the pacing and narrative choices left me feeling dissatisfied at times. I rated it 3.5 stars, rounded down from 4.
This book might resonate with readers drawn to intricate mysteries and family sagas, but those seeking a tightly-paced thriller may find themselves drifting. For me, this reading experience served as a reminder of the delicate balance between captivating beginnings and sustained intrigue—a lesson worth reflecting on long after the final page.